Armfuls of flowers with delicate gradations are offered in bouquets on the leaves with rounded corners. The whole universe of Hiroshige – landscapes varying according to the seasons, portraits of women, luxuriant fauna and flora – unfolds there on the ellipse format of the fan which allows the artist to attempt clever compositions, playing with its shape to make a wave appear, a flock of storks disappear. The exhibition is held in the rotunda on the second floor, where the works are highlighted by a refined scenography, in green and pastel pink colors. The pieces on display come from the very rich collection of Georges Leskowicz, a Franco-Polish enthusiast of Japanese prints, who holds an exceptional collection of first printings, these precious copies resulting from the first passage of the sheet of paper on the engraved wooden board. DOMINIQUE BALIKO/JERZY LESKOWICZ FOUNDATIONįamous, in particular, for his series of prints devoted to the roads of Tokaido (1833-1834) and Kisokaido (1835-1838), the painter produced several hundred different decorations intended to adorn fans. “The Thirty-Six Female Geniuses of Poetry” (circa 1843-1846), by Utagawa Hiroshige, publisher Enshuya Matabei. The works presented in the exhibition are signed by Utagawa Hiroshige (1797-1858), one of the masters of the Edo period (1603-1868), whose landscape engravings played a major role in the development of the ” Japonisme” in Europe. But models, uncut and unframed, stored in albums by publishers, protected from light and manipulation, escaped destruction. Artists have consistently been inspired by the concept of the ephemeral in art, that which is intended not to be preserved for posterity, but rather to dissipate imminently, carried away on the wind or the waves. Perishable consumer items, these fans have, with rare exceptions, not been preserved. Sometimes, that which fades the fastest makes the boldest and most lasting impact. Adorned with flowers, animals, faces or landscapes, the accessory became a medium of expression for printmaking artists. Commonly used by both men and women to cool off during the hot and humid months, the flat fan ( uchiha) – which differs from the pleated fan –, made of bamboo and paper, was sold at auction in the street or in kiosks. An accessory which, at the time, “wasn’t worth much more than a bowl of noodles”, as Vincent Lefèvre, director of conservation and collections at the establishment, reminds us. It is an everyday object of the XIX e Japanese century that the National Museum of Asian Arts Guimet is devoting its new exhibition, “Hiroshige and the fan, a trip to 19th-century Japan e century “. DOMINIQUE BALIKO/JERZY LESKOWICZ FOUNDATION Generally Nature and the elements also contribute to the natural degrading process of these temporary artworks. Land Art Land art uses natural mediums, such as wood, stones, vegetation, sand All these materials are naturally destined to decompose and degrade with the passing of time. “The Thirty-Six Female Geniuses of Poetry” (circa 1843-1846), by Utagawa Hiroshige, fan leaves removed. But the ephemeral is that which only you have been able to observe, and that which only you have chosen to translate, and so in a way, the ephemeral is you, and it is already beautiful. Here are our Top 5 Ephemeral Art Styles 1.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |